“And then over the period of a couple weeks we cleaned that up and created programs out of it, for CNC and otherwise, so we were able to capture that and get the exact dimensions. “We’ve now got a 3-D scanner, and were lucky enough to get access to the original Johnny Winter guitar, so in a couple of hours we had a 3-D map of the entire guitar. We’ve now got a 3-D scanner, and were lucky enough to get access to the original Johnny Winter guitar Mat Koehler “For 2019, we totally revamped the entire range, including pickups and so forth, and that’s when we took a deep dive into the Firebird, so we corrected a lot of the little issues,” he reveals. (Image credit: Michael Putland/Getty Images)Īs vaunted as the Custom Shop’s reissue guitars have been for several years, Koehler tells us the step up to modern technology finally enabled Gibson to take the authenticity over the top, and it really shows here. At the Custom Shop, we are making them exactly how they were made in Kalamazoo in ’63, ’64, so this Johnny Winter has exactly the same woods, exactly the same construction, and it’s very, very true to his original.” “That’s actually why Gibson moved to the non-reverse Firebird in 1965. Ray Dietrich was a brilliant mind, but he did not make it easy on production,” he says with a laugh. “The nine-ply construction, the wings… It was clear that someone who was not a luthier designed that instrument. The original reverse-style Firebird is one of the most difficult to replicate Mat Koehler “I will say that in the great catalog of Gibsons made over the past 128 years, the original reverse-style Firebird is one of the most difficult to replicate,” Koehler tells GP. Given the quirks of the original Firebird design, you can bet it’s no easy guitar to re-create accurately, and Gibson’s head of product development, Mat Koehler, concurs. The sleek lines continue in the six-to-a-side phoenix-head profile of the headstock, which used banjo tuners to avoid spoiling the esthetics.
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